LKS-P203 中秋節 2015 絲網版 103x70cm小圖

中秋節
Mid Autumn Festival

劉國松 Liu Kuo-sung

絲網版 Silkscreen Print
17 版 Plates, 17 色 Colors, 17 印 Runs
版數 Edition of 100
2015, 103 x 70 cm

售價請洽 Please Inquire for Price

商品介紹

原作的構圖主要以拼貼的效果呈現,上部的月亮和下部的大筆觸皆是以含有繪畫成份的抽筋剝皮皴所創造,而抽出棉紙內的粗紙筋後,紙張表面就會充滿細微的肌理。在製作版畫時,為了製造原作畫面上的肌理,就必須更強化畫面上的線條,才能還原原作紙筋以及抽出紙筋後的肌理。具體的作法除了增加版的數量外,為了強調這些肌理細節,更需要拉長製版時曝光處理的時間。

絲網版畫的製作方式是,將原作圖像手工描繪在類似傳統相機底片的滌綸片上,再將滌綸片放置在絲網版上,送入紅外線曝光機,曝光之後滌綸片上的圖像就會定型到絲網版上。在這件版畫的製作時,為了強化肌理的細節,工坊增加了曝光時間,由10秒延長為1至2分鐘,以增加畫面的清晰度。

The original painting is predominately constructed by collage. However, the moon and Earth are created with the more painterly qualities of the “Ripping the Tendons and Pealing the Skin” technique, in which thick fibers of the rice paper are pulled from the paper’s surface, leaving rough textures behind. In order to represent the complex texture of the original painting, the print’s lines and contours were sharpened to create the illusion of mass and depth. Not only were additional screens added, but also the exposure time for designated screens were significantly lengthened.

In silkscreen printing, the original image is drawn by hand on an overlay, a type of paper similar to photographic film. The overlay is then placed on a screen pretreated with a coat of ink known as emulsion. Together, with the overlay on the bottom, the two are exposed to ultraviolet light from below. The area of emulsion blocked by the drawn image of the overlay is weakened by the exposure and is afterward washed off with water, leaving a stencil of the drawn image on the screen. Longer exposure time allows the ultraviolet light to create a sharper image. Therefore, in representing the complex textures in the Mid-Autumn Festival, exposure times for certain screens were lengthened from the standard ten seconds to one and even two minutes.

購物車