LKS-P307 空岩.幽石.霧起 2016 木刻水印 60 x 98 cm

空岩.幽石.霧起
Cliffs, Rocks, Mist

劉國松 Liu Kuo-sung

木刻水印 Woodblock Print
3 版 Plates, 5 色 Colors, 5 印 Runs
版數 Edition of 100
2016, 60 x 98 cm

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商品介紹

本版畫共使用四個版,即底版為淺灰色,兩個中版為中灰與深灰色,和包含黑色與藍色的主版;總共五色,分五次印刷。

本版畫作品,除了局部黑中隱藏的深藍之外,畫面主要是黑白的,以不同濃度的墨色形成。為了表達原作的墨分五色,版畫的主要墨色結構分成四個版:淺灰、中灰、深灰、黑色。前三版的不同灰色,呈現了畫面下方的漸層變化。

在劉國松的黑白水墨作品中,黑墨中所隱藏的深藍非常重要,最能呈現其線條中的精神,使線條增加深度和神秘性,也成為他繪畫中的經典元素。因此,版畫製作中的藍色就極為關鍵。藍版是印製的最後一個步驟,為一版多色,他借用主版,在版上的黑色塊中心局部上色,而多次拓印,慢慢堆疊在現有的黑色上,帶給黑色塊細微的變化,墨色因而更厚實,整體線條更加流動。

木刻水印在印製過程中,必須全程掌握很高的濕度,除了隨時用噴霧器在木版與宣紙上噴霧之外,版於版之間的局部也必須以人工加水,使各個版的不同墨色柔和,才能呈現原作中自然過度效果,「霧」是原作中的靈魂,以木刻水印製作的版畫也要掌握霧氣淋漓的特性。

The print is composed of four plates; a base plate of pale grey, two middle plates of light and dark grey, and a main plate of black and dark blue, printed in a total of five runs.

Apart from the dark blue hidden within the black ink, the image is essentially monochromatic, composed predominately with different tonalities of ink. In order to recreate the effect of inkplay in the original, the composition is divided into four plates with four corresponding shades of ink; pale grey, light grey, dark grey, and black. The three different shades of grey make up the negative space of the image.

In Liu Kuo-sung’s monochromatic ink paintings, the dark blue infused in the centre of black ink plays an important role. It adds depth and gives a sense of mystery to the ink, and has since become an iconic feature in Liu’s paintings. Therefore, in creating the print, the dark blue was of equal importance. Printed last, it is applied in the centre of the carved components on the main board, and layered on top of the black ink of the previously run. Carefully blending the blue into the black, the darkness of the black ink is infused with a burst of energy that surpasses the solid and bland colours of conventional prints.

In the woodblock printmaking, humidity must be maintained high. In addition to keeping a high room humidity, spray bottles are used on selected parts of the image that require extra moisture. With additional moisture sprayed onto the wet ink, the application of different colours between each run are more prone to blending. In the final product, the additional moisture can be seen in the image, specifically and appropriately in the mist.

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