Liu Kuo-sung December 21, 2019 – May 31, 2020 Kaohsiung Museum of Fine Arts
Liu Kuo-sung, Moon Walk, 1969
Liu Kuo-sung, Blue Moon Landscape, 1969 – 1990
Liu Kuo-sung, Wintry Mountains Covered with Snow, 1964
Liu Kuo-sung, Mountain Beyond Mountains, 1968
Liu Kuo-sung, Valley in the Shade of the Darkness, 1979
Liu Kuo-sung, Rising Clouds, 1989
Liu Kuo-sung, Ripples: Jiuzhaigou Valley Series No. 12, 2001
To the Moon exhibition consists of 64 works by the avant-garde contemporary ink painterLiu Kuo-sung (Liu Guosong). The works on display are classified by subject matter into Calligraphic Abstraction, Space, Water Rubbing, Steeped Ink, and Tibetan Suite series; the dates these works span the half-century period from 1964 to the present. The exhibition not only provides an in-depth look at the artist’s personal creative history, but can be also be seen as historical retrospective of the development of art in Taiwan
Liu Kuo-sung’s artistic style was forged during a period of roughly six years in the 1960’s. At that time, he used abstract art concepts to develop a minimalist expressive approach to traditional Chinese ink painting, while also employing a downward-looking or bird’s-eye view perspective to create landscapes that seem to be viewed from the air. His nimble changes of viewing angle, large focal brushstrokes, and attention to detail give his ink paintings a distinctive style; his works of this type can be classified as belonging to his wild cursive abstract series.
On Christmas Eve in 1968, America’s Apollo 8 spacecraft gave the world a gift from lunar orbit—a photograph of Earth from the moon. Inspired by this photo and the movie 2001: A Space Odyssey, Liu Kuo-sung began furiously working on paintings featuring the sun, earth, moon, and their different phases. When the astronauts on Apollo 11 completed the first moon landing in 1969, this milestone in human history completely transformed the then 37 Liu Kuo-sung’s artistic vision. From this point on, his art spun off countless fantasies and variations; his works of this type are huge in number, and span different periods, but are generally classified as belonging to his well-known Space series.
At around the same time, Liu Kuo-sung continued to retain the essence of traditional painting, and neglected neither the physical principles of figurative, realistic painting, nor the imagined spaces of abstract freehand brushwork, which is attested by works from the various stages of his artistic career: His early novice stage, academy and painting association periods, his abstract wild cursive paintings and space paintings, and when he was making his later grand landscape paintings displaying innovative techniques—all of these periods displayed the fruits of his cumulative study and practice. The realism of some of his works attains an intensely micro focus, but also subtly conveying an abstract expressive spirit, while the overall image still consisted of a figurative landscape picture.
Liu Kuo-sung regards the deep elements of traditional culture with an artist’s curiosity. He employs experimental and innovative techniques in his ink paintings, which gives his works a sense of modernity and contemporaneity. In view of Liu’s deep gratitude and affection for Taiwan, the Kaohsiung Museum of Fine Arts has specially assembled a task team to gathered all available assistance to accomplish this meaningful exhibition, which commemorates the 70th anniversary of Liu Kuo-sung’s arrival in Taiwan, and have drawn on the artist’s lifelong indomitable spirit as a response to the courage and initiative shown by humankind’s first moon landing half a century ago.
Liu Kuo-sung, A Man of East, West, South, and North, 2016
Liu Kuo-sung, White Snow is White, 2016
Liu Kuo-sung, Cliffs, Rocks, Mist, 2016
Liu Kuo-sung, Loftiness, 2016
Liu Kuo-sung, Universe in My Mind, 2016
Liu Kuo-sung, Quiet Night, Snowy Mountain, 2016
Loftyart Gallery is proud to finally present the third series of Liu Kuo-sung Prints. Featuring lithography, woodblock, etching, and silkscreen printmaking, in a set of ten prints, this is the final series in Loftyart’s autographed handmade limited edition prints by Liu Kuo-sung. Since working with Liu on the first two series, the printmakers have further perfected their techniques and took on greater technical challenges in the third.
As the last and final series, Loftyart Gallery has worked together tirelessly, making the best finishing touches to this monumental project. In terms of the initial section of images, Loftyart Gallery selected from Liu Kuo-sung’s long and impressive oeuvre, most important and defining artworks, many of which belong in museum collections. The images are then recreated with the distinct painterly qualities of printmaking, while faithfully preserving the spirit of Liu’s original artwork.
The art of Liu Kuo-sung’s prints not only lies in the greatness of the original composition, but also in the distinct characters of printmaking incorporated by the printmakers, in their artful recreation the artworks. Visiting the printmaking studio time and time again in the last three years, Liu Kuo-sung’s kind guidance, thoughtful demonstration, and warm communication with the printmakers, making corrections and additions on every test run, has given Loftyart Gallery the pleasure and honor to produce three outstanding series of autographed handmade limited edition prints, ultimately setting new standards in the field of contemporary printmaking, as well as promoting Liu Kuo-sung’s spirit and contributions in Modern Ink Painting.
Liu Kuo-sung, The High Tide of Qiantang River, 2015
Liu Kuo-sung, Purple Sun, 2015
Liu Kuo-sung, Mid-Autumn Festival, 2015
Liu Kuo-sung, Floating Mountain Peak, 2015
Liu Kuo-sung, Spring of Old Banyan, 2015
Liu Kuo-sung, Mountain Light Blown into Wrinkles, 2015
Liu Kuo-sung, Pressing on the Brow, 2015
Liu Kuo-sung, Light Snow, 2015
Liu Kuo-sung, High Noon, 2015
Liu Kuo-sung, Early Spring, 2015
Respected as the Father of Modern Ink Painting, Liu Kuo-sung has passionately promoted modern ink painting with religious zeal. Liu’s faith is art, and modern ink paintings are his scripture. Over the last sixty years, Liu has journeyed around the world in art exhibitions and academic seminars, bringing his scripture wherever he went in the true spirit of a missionary.
In his youth, Liu Kuo-sung was once slandered as a traitor to art. He challenged both conservatives of traditional Chinese ink painting, as well as blind followers of modern Western painting, and instead forged his own path. With modern ink painting on the rise, Liu has finally been recognized for his contributions to the genre. Liu’s artworks have since entered the spotlight of the art market, and have become exceptionally difficult to acquire.
In order to continue promoting Liu Kuo-sung’s art, and also to share his achievements with more art lovers, Loftyart Gallery decided to produce a series of autographed handmade limited edition prints. The prints are to become a missionary’s scriptures, for sharing with the world. This notion is recognized by Liu himself, and under his authorization, supervision, and kind guidance, Loftyart commissioned a professional printmaking studio to create a series of ten prints in woodblock, etching, and silkscreen prints, and received critical-acclaim upon the prints’ release in late 2014.
In 2015, we are proud to present a second series of ten prints, featuring lithography in addition to woodblock, etching, and silkscreen printing. We believe that the prints, with strong support by Liu Kuo-sung, will not only help art lovers capture the spirit of Liu’s original artworks, but also share with them the art of various types of printmaking.
Liu Kuo-sung Teacher & Students Group Exhibition January 31 – February 28, 2015
Liu Kuo-sung, Dreaming of the immortal's Home, 2014
Liu Kuo-sung, Divine Mountain, Holy Water, 2014
Liu Kuo-sung, Blue Waves Welcome the Dawn, 2014
Liu Kuo-sung, Rainy Spring Water, 2009
Liu Kuo-sung, Daybreak, 2009
Leung Tung-choi, 2011 No. 5, 2011
Lin Hsiang-yuan, Emerald Mountains XLV, 2015
Liu Chen-fu, The Place Missed, Day and Night II, 2015
Chuang Shu-chen, Fissures, 2014
Wu Pui-wah, Leaping of White Lines Series No. 50, 2015
Respected as the Father of Modern Ink Painting in Taiwan, Hong Kong, and China, Liu Kuo-sung has promoted the modernization of Chinese art for over fifty years. In order to revitalize Chinese ink painting in accordance to the times, Liu Kuo-sung has initialed new thought in published articles, experimented with unconventional painting materials, and created innovative painting techniques; as well as assembled artist groups, opened numerous classes with a legion of students, and tirelessly hosted countless exhibitions and academic seminars all over the world – all for the development of modern ink painting.
Since 2010, modern ink painting has implicitly become a worthy rival to oil painting in Chinese contemporary art. Highly acclaimed by international art institutions, collectors, and auction houses, the genre and its rise must be credited to Liu Kuo-sung’s tireless effort in hosting exhibitions and academic seminars across mainland China in the last thirty years. Since then, countless Chinese artists have acknowledged being inspired by Liu’s theories and innovations. In recognition of Liu’s accomplishments and contributions to Chinese art and art education in China, in 2011 China’s Ministry of Culture bestowed Liu with the Chinese Art and Literature Life-time Achievement Award.
In recent years, Liu Kuo-sung has assembled the Tension of the White Line painting group and also Liu Kuo-sung Teacher & Student Exhibition in numerous private and public art museums in Taiwan and China. Together, these artist who share the same faith in modern ink painting, wield their own artistic styles to bring forward brand new possibilities in ink and wash. And yet, this is only the beginning to the rise of the fascinating genre. Liu Kuo-sung’s dream of leading modern ink painting in becoming the renowned mainstream of Chinese art has finally been realized.
Liu Kuo-sung, Water and Cloud Share the Same Source, 2014
Liu Kuo-sung, Not the Color of the Moon?, 2014
Liu Kuo-sung, Blue Light on the Ripples, 2014
Liu Kuo-sung, Rising Toward Mysterious Whiteness, 2014
Liu Kuo-sung, Wintery Mountains Covered with Snow, 2014
Liu Kuo-sung, Sun and Moon: Floating? Sinking?, 2014
Liu Kuo-sung, Sun and Moon: Floating? Sinking? 2014
Liu Kuo-sung, Roof of the World, 2014
Liu Kuo-sung, Silvery Woods Amidst Cloudy Mountains, 2014
Respected as the Father of Modern Ink Painting by the art worlds of Taiwan and China, Liu Kuo-sung has passionately promoted modern ink painting with a religious zeal. Liu’s faith is art, and modern ink paintings are his scripture. Over the last sixty years, Liu has journeyed around the world in art exhibitions and academic seminars, bringing his scripture wherever he went, in the true spirit of a missionary.
In his cause for modern ink painting, Liu was once slandered as a traitor to art. He challenged both conservatives of traditional Chinese ink painting, as well as blind followers of modern Western painting, and was determined to forge his own path in the middle. In recent years, with modern ink painting on the rise, Liu Kuo-sung has finally been recognized for his efforts and contributions to the genre. Liu’s artworks have since entered the spotlight of the art market, and have become exceptionally difficult to acquire.
In order to continue promoting Liu Kuo-sung’s art, and also to share Liu’s achievements with more art lovers, Loftyart Gallery has decided to help Liu Kuo-sung produce a series of prints. Prints are similar to a missionary’s scriptures, for sharing with the world. While the prints are reproductions of Liu Kuo-sung’s artwork, they are designed and printed with Liu’s distinctive techniques and motifs in mind, and remain faithful to their original inspirations. This statement is recognized by Liu himself, and under his authorization and kind guidance, Loftyart has commissioned a series of ten prints in woodblock, etching, and silkscreen print.Liu Kuo-sung strongly believes the prints give his artworks a new vitality, and will thereby create new opportunities for more art lovers to appreciate his art.
Liu Kuo-sung, Lake's Reflection of Snow, Bright as a Mirror, 2012
Liu Kuo-sung, Surrounding Mountains, Towering Peak, 2012
Since the 1960s, Liu Kuo-sung held the banner that called for the modernization Chinese Ink Painting. From Taiwan, Liu carried out a world-shaking revolution throughout the Chinese world, surging through the West, sweeping Hong Kong, and inspiring mainland China. Today, this internationally renowned master, is no longer alone in his pursuit and revolution as a isolated peak. His breakthrough concepts and ideas, not only nourished countless artists throughout the Chinese world, but also set a strong foundation for the development of modern ink painting. In examining his contributions to Chinese art and his artistic achievements as a whole, Liu’s position today can be fittingly described as a towering peak among surrounding mountains.
October 5 – December 1, 2013 Reception: Saturday, October 5, 2013, 3:00 pm Hours: Tuesday – Saturday, 2:00 – 6:00 pm