Tzeng Yong-ning’s Brocade of Spring series, features many motifs taken from traditional architecture. The jagged white lines found throughout the composition resemble wooden lattice windows, while the background shapes are reminiscent of brickwork and masonry. The dabs of golden ink not only allude to the art of calligraphy, but also the beloved motif of bamboo.
Tzeng Yong-ning, The Flower of Plenary 05, 2019 - 2020
Tzeng Yong-ning, The Flower of Plenary 06, 2019 - 2020
Passing Landscapes not only expands on established series, but also develops two new ones, Landscape – Uphill and Landscape – Circuit. Regardless of belonging to new or old series, all works are rich in subject matter and exceptional in execution. New works from the Bloom series have new blossoms of creativity; new Swaying Flowers are brighter and more colorful; and new works from the gold-foiled The Flower of Plenary have expanded on the central circular motif into more elaborate compositions, while retaining the strong visual impact of the gold-foil.
Landscape – Uphill feature an ensemble of bizarre shapes stacked on top of each other, in which the title Uphill suggests movement and sense of growth. Landscape – Circuit is inspired by a sub-genre of painting in the early Song Dynasty called Small Scenery Painting (xiao jing). At a more intimate scale, more attention is given to detail, where each and every detail is intertwined and tightly knit into the overall composition, and the sense of movement appears to flow in a continuous array of lines and circles; hence the name Circuit.
October 10 – December 12, 2020 Hours: 2:00 – 6:00 pm
Honor Tzeng Yong-ning Cultural Minister Lee Yung-te and Executive Director Jordan Reeves were impressed by Tzeng’s work, especially the strong use of colors and the incorporation of Taiwanese elements. Gallery Director Elaine Liu, Executive Director Jordan Reeves, Artist Tzeng Yong-ning, Cultural Minister Lee Yung-te, Manager Richard Chang, & Art Director Timothy Chang. Photo: Ming Kong
In Tzeng Yong-ning’s gold-foiled The Flower of Plenary series, a large circle dominates the composition, and is in turn filled with countless smaller circles, of various patterns, colors, sizes. Packed together tightly, there is a sense of unity and harmony, due to the fact that all the individuals are grouped together in a comprehensive whole. Yet, each circle is lively and energetic, seemingly expanding outwards, floating upwards, or squeezing each other. Encompassed in a field of gold, the large circle embodies a solemn planet, sitting scared and elegant in the serenity of space.
October 5 – December 7, 2019 Reception: Saturday, October 5, 4:00 pm Hours: Tuesday – Saturday, 2:00 – 6:00 pm