Passing Landscapes

Tzeng Yong-ning
October 10 – December 12, 2020




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Works






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Tzeng Yong-ning, Landscape - Uphill 10, 2020
Tzeng Yong-ning, Landscape - Uphill 08, 2020
Tzeng Yong-ning, Landscape - Uphill 04, 2020
Tzeng Yong-ning, Landscape - Circuit 01, 2019 - 2020
Tzeng Yong-ning, Landscape - Circuit 06, 2019 - 2020
Tzeng Yong-ning, Bloom 70, 2019 - 2020
Tzeng Yong-ning, Bloom 73, 2019 - 2020
Tzeng Yong-ning, Swaying Flowers 08, 2019 - 2020
Tzeng Yong-ning, The Flower of Plenary 05, 2019 - 2020
Tzeng Yong-ning, The Flower of Plenary 06, 2019 - 2020
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Tzeng Yong-ning, <i>Landscape - Uphill 10,</i> 2020
Tzeng Yong-ning, <i>Landscape - Uphill 08,</i> 2020
Tzeng Yong-ning, <i>Landscape - Uphill 04,</i> 2020
Tzeng Yong-ning,<i> Landscape - Circuit 01,</i> 2019 - 2020
Tzeng Yong-ning,<i> Landscape - Circuit 06,</i> 2019 - 2020
Tzeng Yong-ning,<i> Bloom 70,</i> 2019 - 2020
Tzeng Yong-ning,<i> Bloom 73,</i> 2019 - 2020
Tzeng Yong-ning,<i> Swaying Flowers 08,</i> 2019 - 2020
Tzeng Yong-ning, <i>The Flower of Plenary 05,</i> 2019 - 2020
Tzeng Yong-ning, <i>The Flower of Plenary 06,</i> 2019 - 2020
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Passing Landscapes not only expands on established series, but also develops two new ones, Landscape – Uphill and Landscape – Circuit. Regardless of belonging to new or old series, all works are rich in subject matter and exceptional in execution. New works from the Bloom series have new blossoms of creativity; new Swaying Flowers are brighter and more colorful; and new works from the gold-foiled The Flower of Plenary have expanded on the central circular motif into more elaborate compositions, while retaining the strong visual impact of the gold-foil.

Landscape – Uphill feature an ensemble of bizarre shapes stacked on top of each other, in which the title Uphill suggests movement and sense of growth. Landscape – Circuit is inspired by a sub-genre of painting in the early Song Dynasty called Small Scenery Painting (xiao jing). At a more intimate scale, more attention is given to detail, where each and every detail is intertwined and tightly knit into the overall composition, and the sense of movement appears to flow in a continuous array of lines and circles; hence the name Circuit.

October 10 – December 12, 2020
Hours: 2:00 – 6:00 pm


Exhibitions NEWS


Exhibition Catalogue

Passing Landscapes

Tzeng Yong-ning Solo Exhibition Lofty Culture & Art, 2020 © Loftyart Gallery

Related Exhibitions

The Flower of Plenary

Tzeng Yong-ning
October 5 – December 7, 2019




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Tzeng Yong-ning, The Flower of Plenary 03, 2019
Tzeng Yong-ning, The Flower of Penary 02, 2019
Tzeng Yong-ning, Swaying Flower 01, 2019
Tzeng Yong-ning, Bloom 61, 2019
Tzeng Yong-ning, Bloom 62, 2019
Tzeng Yong-ning, Bloom 63, 2019
Tzeng Yong-ning, Bloom 64, 2019
Tzeng Yong-ning, Bloom 68, 2019
Tzeng Yong-ning, Small Brocade 11, 2019
Tzeng Yong-ning, Small Brocade 12, 2019
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Tzeng Yong-ning, <i>The Flower of Plenary 03, </i>2019
Tzeng Yong-ning, <i>The Flower of Penary 02,</i> 2019
Tzeng Yong-ning, <i>Swaying Flower 01, </i>2019
Tzeng Yong-ning, <i>Bloom 61,</i> 2019
Tzeng Yong-ning, <i>Bloom 62,</i> 2019
Tzeng Yong-ning, <i>Bloom 63,</i> 2019
Tzeng Yong-ning, <i>Bloom 64,</i> 2019
Tzeng Yong-ning, <i>Bloom 68,</i> 2019
Tzeng Yong-ning, <i>Small Brocade 11,</i> 2019
Tzeng Yong-ning, <i>Small Brocade 12,</i> 2019
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In Tzeng Yong-ning’s gold-foiled The Flower of Plenary series, a large circle dominates the composition, and is in turn filled with countless smaller circles, of various patterns, colors, sizes. Packed together tightly, there is a sense of unity and harmony, due to the fact that all the individuals are grouped together in a comprehensive whole. Yet, each circle is lively and energetic, seemingly expanding outwards, floating upwards, or squeezing each other. Encompassed in a field of gold, the large circle embodies a solemn planet, sitting scared and elegant in the serenity of space.

October 5 – December 7, 2019
Reception: Saturday, October 5, 4:00 pm
Hours: Tuesday – Saturday, 2:00 – 6:00 pm


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