劉國松  Liu Kuo-sung

薛   Xue Song

 


水火之歌 A Song of Water & Fire

劉國松的水拓畫 vs. 薛松的焚燒拼貼

 

水和火於畫面上產生之自然效果,妙不可言,古今皆有人鑽研,但流傳不遠,實乃水火掌控不易。
劉國松致力「革筆的命」,七○年代鑽研水拓法,即滴墨、油入水,再以紙吸附其瞬間產生之天然紋路,順勢加工,據以發揮,開創出前無古人之風格。

薛松則將焚燒殘片拼貼於畫布,火燒殘片和重繪之畫面,為破壞與再生、解構與建構循環,影像內容既互相對應,又產生全新意象,薛松建立史無前之語彙。
挑戰材質,劉國松與薛松水火不避,終於各闢蹊徑,譜出藝壇水火之歌。

Painting with water and fire, in both historical and modern times, is a challenge in media. The founder of the Fifth’s Moon Painting Group, Liu Kuo-sung, who advocated “revolution against the brush,” began experimenting with the technique of “Water-Rubbing” since the 1970s.

The origin of Xue Song’s brunt collage is quite dramatic. Having had two fires break out in his studio in the 90s, a distressed Xue found inspiration from ashes left by the destruction. The nature of fire is to consume and destroy, fueling both fear and a strange satisfaction. In turn, the process of destruction and reconstruction, and symbolic death and rebirth, creates a new artistic vocabulary.

 


展覽時間 Dates

2019.01.19 (週六 Sat.) – 01.21 (週一 Mon.)

展會地點 Venue
花博公園爭艷館A4展位 – 台北市中山區玉門街一號
Booth A4, Expo Dome, Taipei Expo Park – No. 1, Yumen St., Zhongshan Dist., Taipei.