LKS-P306 白雪是白的 2016 石版 48 x 66 cm

白雪是白的
White Snow is White

劉國松 Liu Kuo-sung

石版 Lithograph Print
1 版 Plates, 2 色 Colors, 2 印 Runs
版數 Edition of 100
2016, 48 x 66 cm

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商品介紹

《白雪是白的》是劉國松水拓技法的神來之作,畫面上有許多因在水面上的墨色噴灑松節油之後所產生的細微痕跡,看似雪花的晶體,這些豐富的細節非常適合以石版畫來表現,當然相對也構成挑戰。

石版畫的製作原理,是將德國出產的石質細膩的石灰岩版以砂紙研磨成所需要的光滑程度,再以油性鉛筆在其上作畫,畫完之後,再以硝酸腐蝕,加深畫面,造成只吸油不吸水的表面,並以阿拉伯樹膠覆蓋在石版表面未作畫處,造成只吸水不吸油的表面。然後將油墨在滾筒塗勻,用滾筒將油墨轉移到石版上,此時,藉助石版油水分離的特性,油墨僅會附著在有鉛筆筆跡之處,而無筆跡之處並不會附著油墨,之後,再將版畫紙覆蓋在附著油墨的石版上,然後加壓,將版上的油墨吸附到版畫紙上。

這些複雜的工序,只是石版畫製作的工藝難度,但對於還原原作的精髓而言,以油性鉛筆在石版上一絲不苟的畫出原作的每一個細節,就是藝術難度了。繪圖技師必須要有深厚的素描功力與沈靜的性格,才能以漫長的兩個月的時間,一天一小塊的畫完整個石版。

 White Snow is White is a masterpiece of Liu Kuo-sung’s “Water-rubbing” technique. The spraying of turpentine spreads the ink into fine dots across the water’s surface, appearing as snowflakes on the imprinted image. These fine details can be brilliantly recreated with lithography, but they also complicate the printmaking process.

In lithography, fine-grained limestone, found in Germany, is smoothly polished and drawn on with oil-based dermatograph pencils. The drawn image is treated nitric acid which allows the limestone to absorb to oil-based ink. On the blank portions of the stone, gum arabic or hardened tree sap is applied to protect the surface from absorbing the ink. Then ink is applied on the stone plate with rollers and is only absorbed by the acid-treated portions. Finally, the drawn image is transferred onto paper through the printmaking press.

The above process only illustrates the technical process of lithography; however, to faithfully recreate the likeness and spirit of the original painting, by sketching out each and every detail with the dematorgraph pencil, is the real challenge. The printmaker must possess skill as well as patience, in order to piece together the image one small portion at a time, over a lengthy period of two months.

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