LKS-P205 老榕樹的春天 2015 絲網版 90x104cm小圖

老榕樹的春天
Spring of Old Banyan

劉國松 Liu Kuo-sung

絲網版 Silkscreen Print
27 版 Plates, 27 色 Colors, 27 印 Runs
版數 Edition of 100
2015, 90 x 104 cm

售價請洽 Please Inquire for Price

商品介紹

原作以漬墨法完成,而不是使用筆畫,版畫的印製也不用筆,這是兩者的共同點。原作看似色彩簡單,但經仔細分析發現並非如此,其在創作時因紙張含有大量的水分,畫面上隱含許多顏色,並且融合在一起,製作版畫時,除了分色要分很多版之外,更要照顧到每一版顏色中的透明度,所以技師在手工調配顏料時,特別加上水性的調和劑以增加透明度。

本版畫尺幅較大,人工印刷時會產生施力不均勻的問題,所以工坊特別訂製了特大型的絲網版畫印刷機,最大甚至可以印製4米乘3米的尺幅。雖然使用機器印製,但在絲網版上平均塗佈顏料的工作還是要靠人工進行。

 The original painting is generally composed of the “Ink-staining" technique, without much use of the brush. This is similar to printmaking, which also forgoes brushwork in creating the image. At first glance the colors of the original appear simplistic; however, careful visual analysis suggests otherwise. In fact, due to the large amount of water used in its creation, the image conceals an abundance of colors, which have layered together after the water dried. In creating the screens in addition to splitting the layered colors into additional screens, great attention was given to the color’s transparency in each screen, in which water-based conditioners were manually mixed into the paint to increase the sense of transparency.

As the size of the print is unconventionally large, it cannot be evenly printed manually. Therefore, the studio ordered a custom screen printing machine, which mechanically pulls the squeegee over larger screens, up to an area of four by three meters. However, regardless of the assistance of the machine, the application of paint on each screen is still done manually, as in conventional silkscreen printing.

購物車