Su Chung-ming

Works
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Su Chung-ming, A Wonderful View Around Lake, 2015
Su Chung-ming, Pine on the Mountain Caves, 2015
Su Chung-ming, Clear Valley Stream, 2020
Su Chung-ming, Misty Valley, 2021
Su Chung-ming, Blue Trees on Mysterious Mountain, 2021
Su Chung-ming, Fragrant Trees on Ancient Crag, 2021
Su Chung-ming, Hazy Waterfall, 2022
Su Chung-ming, Cloud-shrouded Lone Peak, 2022
Su Chung-ming, Fresh Snow on Distant Mountains, 2023
Su Chung-ming, Red Tree on Snow Mountain, 2023
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Su Chung-ming, <i>A Wonderful View Around Lake</i>, 2015
Su Chung-ming, <i>Pine on the Mountain Caves</i>, 2015
Su Chung-ming, <i>Clear Valley Stream</i>, 2020
Su Chung-ming, <i>Misty Valley</i>, 2021
Su Chung-ming, <i>Blue Trees on Mysterious Mountain</i>, 2021
Su Chung-ming, <i>Fragrant Trees on Ancient Crag</i>, 2021
Su Chung-ming, <i>Hazy Waterfall</i>, 2022
Su Chung-ming, <i>Cloud-shrouded Lone Peak</i>, 2022
Su Chung-ming, <i>Fresh Snow on Distant Mountains</i>, 2023
Su Chung-ming, <i>Red Tree on Snow Mountain</i>, 2023
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CV



Journals

Calling to Mountains

Essay
Su Chung-ming’s landscapes leap off the paper and call to the mountains outside
Seemingly speaking a thousand words, but spoken in solemn silence
The worries of the world are lost beyond the sky

Aesthetic theorist Zong Baihua (1897–1986) introduced in An Aesthetics Anthology that the most profound sentiment in Chinese painting is “to silently be molded by and thus become one with the infinite reality of nature and space.”
Su Chung-ming, Misty Valley (detail), 2021 © Su Chung-ming