Ma Baozhong

previous arrow
Ma Baozhong, Criss-Cross: A Girl’s Dream No. 1, 2013
next arrow
 
Ma Baozhong,<i> Criss-Cross: A Girl's Dream No. 1,</i> 2013
Ma Baozhong,<i> Criss-Cross: A Girl's Dream No. 4,</i> 2013
Ma Baozhong, <i>Transaction No. 1,</i> 2012
Ma Baozhong, <i>Transaction No. 3, </i>2013
Ma Baozhong, <i>2:46 am,</i> 2001
Ma Baozhong, <i>Tropic: Taiwan Strait,</i> 2000
Ma Baozhong, <i>Strike No. 1,</i> 2000
Ma Baozhong,<i> Red Army Relics, </i>1992
Ma Baozhong, <i>Nude Women on Flowery Cloth, </i>1992
previous arrow
next arrow


In hindsight, Ma Baozhong’s expulsion from Beijing’s Central Academy of Fine Arts in 1989 was a major milestone in his artistic career. Having come all the way from Manchuria’s Heilongjiang, Ma was devastated to loose such a prestigious position within capital. His expulsion resulted from a complex series of political intrigues within the academy, due to the buildup and ultimate climax of the political tension that year. However, from his expulsion, Ma was liberated from the mainstream academy style of painting. He soon felt emancipated in terms of style, form, and even subject matter, and experimented with Western and Avant-Garde ideas previously inaccessible to him.

CV


Exhibitions

Tangled Dislocation

Chen Yufei, Ma Baozhong
Oct 22 – Nov 19, 2013
National Chiao Tung University Art Center, Hsinchu

In the Prime of Vitality

Chen Yufei, Guo Kai, Huang Ming-che, Hung Tien-yu, Hsu Yu-jen, Lin Pang-soong, Ma Baozhong, Sun Liang, Wang Yigang, Yang Shu, Yu Youhan
Oct 27 – Nov 16, 2012